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Orpheus Institute Voices, bodies, practices
performing musical subjectivities
Identity and subjectivity in musical performances. Who is the "I" that performs? The arts of the twentieth and twenty-first centuries have pushed us relentlessly to reconsider our notions of the self, expression, and communication: to ask ourselves, again and again, who we think we are and how we can speak meaningfully to one another. Although in other performing arts studies, especially of theatre, the performance of selfhood and identity continues to be a matter of lively debate in both practice...
Non-fictie
Engels | PDF, 31 MB | Leuven University Press, Leuven | 2019
E-book
Orpheus Institute Sensorial aesthetics in music practices
The Western history of aesthetics is characterised by tension between theory and practice. Musicians listen, play, and then listen more profoundly in order to play differently, adapt the body, and sense the environment. They become deeply involved in the sensorial qualities of music practice. Artistic practice refers to the original meaning of aesthetics-the senses. Whereas Baumgarten and Goethe explored the relationship between sensibility and reason, sensation and thinking, later philosophers of...
Non-fictie
Engels | PDF, 24 MB | Leuven University Press, Leuven | 2019
E-book
Orpheus Institute Futures of the contemporary
contemporaneity, untimeliness, and artistic research
Futures of the Contemporary explores different notions and manifestations of "the contemporary" in music, visual arts, art theory, and philosophy. In particular, the authors in this collection of essays scrutinise the role of artistic research in critical and creative expressions of contemporaneity. When distinguished from "the contemporaneous" of a given historical time, "the contemporary" becomes a crucial concept, promoting or excluding objects and practices according to their ability to diagnose...
Non-fictie
Engels | PDF, 4,4 MB | Leuven University Press, Leuven | 2019
E-book
Orpheus Institute Aberrant nuptials
Deleuze and artistic research 2
Unique focus on the relation between artistic research and the philosophy of Gilles Deleuze. Aberrant Nuptials explores the diversity and richness of the interactions between artistic research and Deleuze studies. "Aberrant nuptials" is the expression Gilles Deleuze uses to refer to productive encounters between systems characterised by fundamental difference. More than imitation, representation, or reproduction, these encounters foster creative flows of energy, generating new material configurations...
Non-fictie
Engels | PDF, 59 MB | Leuven University Press, Leuven | 2019
E-book